white truffle
She caught the scent the minute that she walked in the door. Even from within a glass case, it lured her with its siren song.
She caught the scent the minute that she walked in the door. Even from within a glass case, it lured her with its siren song.
"Nowhere in space will we rest our eyes upon the familiar shapes of trees and plants, or any of the animals that share our world. Whatsoever life we meet will be as strange and alien as the nightmare creatures of the ocean abyss....." Arthur C. Clarke, 1962
Have you ever wondered about the mysteries of the ocean? About the things that lie hidden in it's depths? In an aqueous wormhole, some 1500 fathoms beneath the sea, will we someday find the things we search for...the meaning of life, the philosopher's stone, a new form of delicious, a cure for what ails us, proof of genius, lost socks?
It is said that in our final moments the archetypes that make up our lives will flash before our eyes. If there is truth in that, I am certain that my life-album would include images of a scuba diving excursion on a coral reef.
Fifty feet below the surface, all of the senses disconnect except for vision. Devoid of touch, sound, smell or taste to gather information, the optic nerves become tuned to a superhuman frequency. It is the ultimate voyeuristic experience. Light, as refracted through the pellucidity of water, is astonishing and produces a chromatic carnival that does not exist on dry land. Familiar shapes undulate and shift into anomalous forms.
In that alien landscape, I did not find keys that unlock the mysteries of the universe, but I did find treasure: The absolute beauty of hostility with purpose. That deliciousness can be experienced without taste or smell. And that iridescence is proof of genius.
Now if I could only find that cashmere sock.
octopus squid sea beans potatoes romescu begonia
Seeing that so many of you are familiar with sea beans, I'll keep the description brief.
Sea bean: nam pla sugar crust.
Salt water taffy meets umami-o-the-sea.Cardamom sable sand: Toasted rice flour, butter, poncillo, cardamom, lime, sea salt.
A game of beach volleyball; sweet vs. salty.Pearl: A burst of briny oyster liquor kissed by passion fruit.
Hot sex on a tropical beach.
All work and no play throws life off balance. The time that I spend on this blog playground gets the pendulum swinging, but sometimes complete disengagement is the only thing that will restore the equilibrium. A respite by the water with friends reminds me how it feels to float instead of paddle.
Leaving home for a spontaneous weekend is easier now that the children are no longer children. As the nest empties, this blog strangely begins to feel like a third child. Though it makes no demands and is content with whatever attention I can give to it, I recognize the need to nurture in order for it to grow and evolve.
When I left for the weekend, this 7-month-old blog had just passed a milestone: the 100,000th page load. It was a bittersweet occasion. As a parent, I celebrated my children's first steps as a natural progression and an indication that all is right with the world. On the other hand, I recognized that those tiny feet were moving away from me and my sanctum and towards an uncertain world.
I returned home yesterday to find that my husband and I were not the only ones in need of play. My oldest child was playing with friends in Montreal, my youngest child was playing on a Big Stage for the weekend, and my blog-child went playing in cyberspace. 25,000 hits in 48 hours, it had grown large, pixelated feet and went running rampant, Stumbling it's way around the world.
Today, things are back to normal.
Everyone has returned home safely.
The weekend is played-out.
Work has resumed.
Balance is restored.
The temperature hovers around 90 degrees on a hot and hazy afternoon in July. The oppressive humidity makes her skin feel clammy and her hair frizz. She stands over a grill, laying down pieces of halibut, their skin sizzling on contact with the hot grates. The heat from the flames rise and sting her face and hands, making her exposed flesh feel tight and sunburned.
Less than 30 feet away, a group of children splash in a pool. The adults sit around a table in the shade of a pergola. Their conversation is languid, flagging in the heat. Why aren't they in the pool? If given the choice, that's where she would be.
In the shallow end of the pool, the children play a raucous game of tag. Marco? Polo! She fixates on the way their hair drapes over their heads like sleek curtains. Wet. Cool. Refreshing drops fall on their shoulders and trail down their backs.
In the deep end, a solitary boy lays floating on his back. His body is slack and motionless, his expression tranquil. He bobs in the wake from the game, an occasional wave laps onto his face. Unresponsive, he appears transcended, no longer earthly in his state of weightlessness. Suspended in Zero Gravity, oblivious to heat.
She thinks of excuses to walk by the pool, closer than she ought to, and pretend to fall in. They would come running, concerned that she is hurt, put out at her clumsiness, worried that she may not be able to finish preparing their lunch. They would offer her a dry towel and a change of clothes. She would refuse, unwilling to part with the relief provided by her cool, wet clothing.
A flare-up at the back of the grill diverts her attention to the fish. She lifts a piece to check the skin for crispness. She brushes the tops with fragrant basil oil and seasons them with garlic-infused sea salt. She flips them over, adjusts the heat, and checks her watch.
In the shade of an oak tree, she reaches into a cooler and pulls out chilled soup bowls, laying them out in rows on the staging table. She lifts the lid off a cambro and is assaulted by the scent of nectar rising from the cantaloupe juice that she had extracted earlier. With a ladle, she parts the foamy raft that floats on the top and dips into the bottom for the clear juice. A full ladle is tipped into each bowl, followed by a spoonful of foam. She uncovers another cambro filled with rectangular planks of cantaloupe macerated in reduced Madeira. She wraps each piece with thin strips of Serrano ham, hiding a tender, young sage leaf within the folds.
Glancing at her watch, she works quickly, moving the soup bowls onto a service tray and applies the final touches. She doesn't allow herself to be distracted by the swimming pool, but she is powerless to stop the images of a melon pool that is forming in her mind. She would build the walls out of gelled melon juice and fashion a liner from thin slices of the ham. She would fill the pool with melon juice and foam.Yes, it would work, she decides.
The server appears at her side, mopping his brow with a napkin. She notices that his shirt is drenched in sweat and she can see through to the tattoo on his upper back.
She asks wryly: Did you go for a dip?
No, but I'm tempted.
Yea, me too.
She smiles and hands him the tray.
That's what I thought I was getting when he dropped a DVD into my hands with a grin on his face. I was nonplussed that he had handed me a romantic film by Wong Kar-wai, a Chinese director known for visually stylized films. Looking over the cast, a name jumped out at me and it all made sense...if there's one thing that he likes more than cars and guns, it's Nora Jones.
The movie, My Blueberry Nights, was almost forgettable despite the stunning melancholic atmosphere created by Wong through roving shallow lenses and lush chiaroscuro. The minor key mood was a good fit for Nora, but Jude Law never convinced me as a marathon runner wannabe who settles for running a diner where he makes blueberry pies that no one ever eats. It was the pie, and the way that Wong committed it to celluloid that I will remember: tight macro shots of ice cream salaciously melting into mounds of lurid blueberries. It was so deliciously lascivious that I wanted to avert my eyes.
In the end, it was blueberry pie that brought the characters together and endeared Wong to me as a film maker and food pornographer. And it inspired this dish.
I grew up eating goat. In my house, it was always prepared the same way: as Chanfana, a stew made from chunks of mature goat, red wine, bacon, garlic, bay and lemon, slowly braised for the better part of a day in a low oven.
In central Portugal, there is an age-old war raging between two
villages over the claim to the origins of the dish. Chanfana is so venerated in this region, that the markets are filled with black earthenware cooking vessels, known as cacoilos, that are used exclusively for it's preparation. The religious fervor surrounding the dish culminated in the formation of a 'Chanfana Brotherhood'.
Goat was not a meat that I looked forward to eating. Fortunately, the distinct scent of it wafting through the house heralded its appearance at the table and bought me ample time to come up with an excuse to get out of eating dinner.
I watched Iron Chef: Battle Goat with interest, and came away inspired by the diverse and creative preparations that Bobby Flay and Jose Andres presented in the episode. It was with this renewed interest that I purchased a loin of cabrito, or young goat.
It's funny that as a child, I never imagined that I would willingly cook goat for myself, but the scent of it wafting through my own kitchen transported me back to the days of Chanfana, faster than a time machine, but did not fill me with dread. Instead, it made me grateful to my mother, who lovingly prepared this dish as a reminder of her culinary heredity, and in doing so, provided me with sensory triggers to my own.
I am a freelance chef. What that means, at least in how it applies to me, is that I prepare a variety of foods for a variety of clients, at various locations. It keeps things interesting and forces me to be adaptable.
Many of my clients lead lives that allow, and in some cases, require them to travel a great deal. Some call Connecticut their home, others have primary residences in large cities and refer to their Connecticut manse as "the country house". They often call me upon arrival, hungry and jet-lagged, because I understand what they need; fresh, simple food that will restore their weary bodies. I go into their homes to prepare their dinner, and stock the refrigerator with meals for the following days. When they have settled in, they call again, this time it is to request menus for entertaining. This is where I shine, and they know it, and hand over the carte blanche.
One of my clients is a restaurant. I established a solid, working relationship with the owner a few years ago, when he began to hire me as an on-site chef for his catering operation. I understood his clients, they had the same needs as mine. When I first got on board, he had just lost his chef and was single-handedly cooking for the restaurant and filling the catering orders. Most days, when I arrived to pick up my order before going out to location, I would find him fixing a toilet, or dealing with customers, while my orders waited to be filled. I consistently offered to come in earlier to help, but he was smack-dab in the midst of a chest-thumping, "I-am-superman-and I-can-do-everything" mid-life crisis. I had to respect him for that...he was doing it all. Gradually, he came to his senses. Now, there is a new chef running the kitchen, one that I had worked with and recommended for the position, and on most weekends you can find me working at his side. I arrive in the morning to prepare the foods that I will be serving that evening. The time that I put in at the restaurant pays only a fraction of what I make on location. I do it because it keeps me connected to a larger food scene than the one that I find in private homes. I do it because this relationship with a restaurant, an owner, and a chef...it works for me...and that is something new.
Before freelancing, I worked full time in a restaurant that had an identity crisis; it couldn't decide what it wanted to be. It must have rubbed off on me...I soon found myself in the same crisis. For the first time in my life, I had lost interest in food. I couldn't find my mojo, and the love and passion was MIA. I was bored (shame on me) and was considering a departure from cooking. I am fortunate to have other options; things to fall back on. I call this my "brown period", because at one point, I realized that every plate that I put out had a gratuitous drizzle of balsamic. It is tragic to witness your imagination and creativity disengage, and allow body muscle to take over, in auto-pilot mode, with senseless actions.
It was at this time that I read an article about a chef in Spain that was creating ripples in the food world with his science-driven approach to food. I have to admit, my gut reaction was not good...I aligned it to the evils of genetic modification, and why was he putting chemicals back in our food? But there was something about it that stirred me, and I found myself reading it over and over, each time peeling away the layers of my predisposition, to reveal it's true intent, and what I found was revolutionary. I still remember the day that I sat down in front of my computer, and typed his name, Ferran Adria, into an empty box. A rabbit hole opened up under my feet, into which I fell; am falling still. The only other reference that I have to this life-altering effect was the day that I came face-to-face with Les Demoiselles d'Avignon on a class trip to MOMA. Picasso's brutal depiction of women rocked me to my core, and held me, transfixed, until my mind bent, and changed forever the way that I define beauty. (What is it about Spain?)
Inspired by a new approach to food, I felt reborn in the kitchen, but I had no outlet. I needed a place to experiment with, document, and share ideas. I needed a playground. That was, and still is the intent of this blog.
When I decided to start blogging, I made a conscious decision to not reveal the names of those that I work for. My reasons form a long and tangled list, but in their complexity, there is simplicity:
Paramount on the list is discretion. In the small, tightly-knit community of high-profile people that I work in , discretion is the unmentioned code that is established with the initial greeting at the door and sealed, at the end of the evening, with ink on a check. Once lost, it cannot be regained.
Self-preservation is wrapped up in there, too. I have worked long and hard to establish a relationship of trust with my clients and the restaurant. I would not want what happened to Shuna, to happen to me. I read her blog, as do many others, because it is a window into the collective soul of a chef, and an acutely raw account of what it means to be a woman chef working in the exhilarating, sometimes hostile environment of a restaurant. I rejoice in her triumphs, share in her passions, rail at the injustices, and when she slits open a vein and bleeds all over my monitor, I feel it like a stigmata. I know what it is to give all, then be shown the door; it is a path that I don't ever want to walk again.
When I dream about giving birth to live snakes, as I have done lately, I recognize that it is also about fear; the fear of losing control and creating monsters. As a mother, I understand the importance of choosing my battles; knowing what lines to draw, what to give up to the universe.
As for my name, it is Linda. That is my given name, the rest I took from my husband, who prefers to keep it private. Even if I were to disclose it, and you were to Google it, believe me, you would find nothing of interest. There would be no Michelin stars, or illustrious resume, just people who are not me.
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