playing with fire and water

tahoon pork jowl beechnut

There are plants that can be described as tasting earthy— mostly roots and tubers that absorb the minerals and organic matter of the soil in which they grow buried. Rarely is earthy attributed to a green leaf, which is why I was stunned when I tasted tahoon sprouts. Just days out of the soil, the tiny green leaves emit an intense flavor of sun-baked dirt, humus, and wood, with an oily background of roasted nuts.

Tahoon (Toona sinensis), aka Chinese Toon, is a member of the Mahogany family, native to China, where the young leaves and sprouts (xiang chun) are enjoyed as a vegetable.

Upon tasting tahoon and then learning that the plant was hardy in my northern climate and could eventually develop into a tree, I became curious about the mature leaves and aromatic wood.

But locating the elusive tahoon seeds proved to be a challenge. Eventually, I found them at a Canadian seed company that specializes in Chinese vegetables. 

The seedlings that I planted that summer, three years ago, didn't survive the winter. I planted another round the following year on the edge of a garden, near a stand of sumacs, that were forgotten until this spring when I noticed new growth on what I thought were sumac suckers, whose pinnate leaves closely resemble those of tahoon. It wasn't until I tasted them that I realized that the neglected plants had not only survived a harsh winter, but at nearly four feet in height, they were well on their way to becoming trees.

The mature tahoon leaves display the same aromatic properties that are found in the sprouts, but in a more diffused way. Instead of delivering the characteristic flavor up front, it saves it for the end, when you've nearly given up on it, then lingers on and on. The wood is richly aromatic, reminiscent of cedar, and full of promise.

The flavor of tahoon is often likened to beechnuts— a comparison that eluded me until recently. Though I'm always on the lookout for the nut of the American Beech (Fagus grandifolia), a native tree proliferate in the eastern United States, it's temperamental when it comes to producing fruit. Some years it produces nothing at all, while in other years, the beechnuts are scarce and out of reach on the upper limbs and the cupules are dry and hollow by the time they hit the ground. I guess I just had to stop looking because that's how I finally found them. And, yes— now that I've tasted them— I can say [with conviction] tahoon does indeed taste like beechnuts. Actually, dirty beechnuts.

Thin, bias-cut slices of pork jowl, sandwiched between tahoon leaves. A quick saute in a hot pan renders the fat and crisps the leaves. Crispy on the outside, juicy and succulent on the inside.

What I've learned about cooking mature tahoon is that it doesn't do well when subjected to moist heat— the volatile aromas all but disappear. Dry heat preserves the flavor and draws out the already low water content from the leaves, making them crispy. And I like crispy. 

pork jowl tahoon sandwich with roasted beechnut/jerusalem artichoke puree

kinome

I've been in hot pursuit of this plant since I first tasted its young leaves over a year ago. Nearly gave up until www.raintreenursery.com came to the rescue.

Kinome is the young leaf of Zanthoxylum piperitum, a species of prickly ash. It's the same plant that produces sichuan pepper. The leaves taste lemony fresh and produce a mild tongue-tingling sensation. 

Although I bought it for its leaves, I'm curious to see it bloom and fruit. Hope I can stop myself from stripping it before that happens.

green squash

Squash belong to a family of plants known as Cucurbitaceae which also includes pumpkins, gourds, melons, and cucumbers. Unlike their summer counterparts, winter squash are harvested when they are fully mature. The fruit of cold weather varieties start out green and are ready to pick when their leathery skins turn uniformly orange or yellow. However, color is not a reliable indication of ripeness with varieties that remain green, such as acorn, hubbard, and some turbans. Regardless, pumpkins and winter squash will continue to ripen during the curing stage, when the fruits are stored at warm temperatures to develop flavor and thicken the skin. 
Properly cured, pepos are notoriously long keepers. I once displayed an enourmous Hubbard squash, its skin like ceylon porcelain, as a piece of sculpture for nearly a year before it eventually rotted from within. My parents kept an offspring from their compost heap in a corner of their living room for well over two years before it succumbed to the same fate. True story.

Over the decades of cooking in restaurants and catering, I've processed more than my fair share of winter squash, but I can't say that I've ever encountered an unripe one before this particular hubbard, grown in a heritage squash garden. It's unclear whether it was picked immaturely or not properly stored— I'm guessing it was a combination of both. Of course, I had to taste it. 

The inner ripe layer was creamy and sweet, with typical squash-like vegetal flavor (why are there no studies on the aromatic properties of winter squash?). The outer green part was where it got interesting— it was denser in texture and also sweet, but in a fruity, estery way that instantly brought to mind a ripe honeydew. Not surprising, I had to remind myself, considering their close relationship. And then it got fun when I realized that through carefully calculated cuts, I could control the play of fruity and vegetal flavor in the distinct layers. Slant the knife one way and I'd get a bite of melon-on-squash, slanted the other way, and I'd have squash-on-melon.

I chose a decidedly fruity slant for this dish: green squash, asian pear, watermelon-sumac, pine nut milk, pumpkinseed oil, calendula petals, and a final flourish of grated long pepper.
 

 

lime basil tomato martini

There is transient beauty in a dying garden; an intimacy that is gained by observing its natural progression.

Looking around at the tracery of brittle stems, shriveled leaves, and the determination of fruit clinging to withering vines, I see the loveliness of imperfection, the quiet dignity and grace, the stamp of passing time.
The Japanese call this wabi-sabi.
I call it the poetry of decay.

There is, however, nothing poetic about cleaning up all of this decay. It's hard work. It merits the reward of a libation.

It seems that anything can be called a martini these days. I'm not a purist, but to me, a martini is not defined by the vessel that it's served in, but by the inclusion of gin and vermouth. Beyond that, any added flavor is fair game.

lime basil tomato martini

2 oz. lime basil-infused gin, chilled
1/2 oz. dry vermouth, chilled
1/2 oz. filtered tomato water, chilled
2 cocktail tomatoes, speared on a sprig of basil 

Place liquids in chilled cocktail shaker with 2 cubes of ice. Shake and strain into chilled martini glass. Garnish with cocktail tomatoes.

To make lime basil infused gin: Pack an isi whipper with fresh lime basil that has been lightly crushed. Half-fill the canister with gin. Cover and charge with 1 N2O cartridge. Shake slowly for 1 minute. Rapidly discharge gas. Uncover and allow to stand for 3 minutes before straining. Chill.

To make tomato water: Cut Ripe tomatoes in half horizontally. Set a sieve over a bowl and squeeze out the seed sacs and liquid from tomato halves. Reserve the tomato flesh for another use (if you peel the tomatoes beforehand, the flesh can be diced into concassé). Press on the solids in the sieve to extract as much liquid as possible. Pass the liquid through a micro filter or a coffee filter, without pressing, to produce clear tomato water.  Alternately, the sieved liquid can be allowed to stand until the solids settle to the bottom, and the clear liquid can be spooned from the top.

To make cocktail tomatoes: Cut a small, shallow slit in the stem ends of cherry tomatoes (I used Sungolds and Sweet 100s). Drop them into a pot of boiling water for 5 seconds, or until the skins rip open. Immediately remove to a bath of ice water. Slip the skins off each tomato and layer them in a sterilized glass jar with coarse salt (1 teaspoon per pint). Pour in enough dry vermouth to cover the tomatoes by 1/2". Let the tomatoes cure in the refrigerator for 2 days before using.

a good year for peaches

I don't know what happened to the peaches this year.
Did the stars and/or planets align just right? Or were my unwitting prayers answered by a peach fairy?
I have no explanation, but I'm convinced that something super natural took place. 

 

My  peach tree is now seven years old. It was just a whip with roots when my father gave it to me; no thicker than my thumb or longer than my arm. Looking at that stick-in-a-pot, it should have taken an elastic imagination, or a leap of faith, to believe that one day it would produce bushels of fruit, but I knew better. I had seen him nurture these things; spent a lifetime watching sticks turn into trees.
 
I planted it even though I had given up on growing fruit. The loss of a half dozen fruit trees, along with the dream of an orchard, was still painfully fresh.

It was three years before the tree bore fruit. Just enough for a few pies at first, the yields continued to increase with each passing year. Quantity was never an issue, but if I'm being completely honest, the quality of the fruit has been unremarkable in flavor. Last year, they were insipid, at best.

 

If anything, gardening is an investment of hope. I take the time and effort to grow plants with the hope that they will produce something extraordinary. When they don't, I assess the circumstances, make adjustments, and try again. Or, if they require something beyond my control, I move on.

A tree is different. 

Trees take years, sometimes decades, to hit their stride. When there is so much time and effort and hope invested, it's not so easy to just start over.

Last fall, after the disappointing harvest, I was pruning the tree and considered taking a saw to the trunk and starting anew. But I didn't. I confessed my intention to my father, hoping he wouldn't be offended. He just shrugged and suggested I waited another year.

I was acutely aware on the day that I picked the first of this year's peaches that it was the two month anniversary of my father's passing. I won't get into whether I think that he, in spirit, had anything to do with the transformation. I won't even get into whether I believe such things are possible. I will only say that every peach that I picked off my tree this year was extraordinary: intoxicatingly fragrant, embarrassingly juicy, a flawless balance of sugar and acid. They were everything I hoped for.

summer pasta

 In these, the last days of summer, autumn encroaches clever and lithe.  

I try to ignore the signs, but it's worse than that. 

I see the chlorophyll drain from the leaves and tell myself it's just the sun. I notice the flowers looking dry and wan and say it's because I didn't give them enough water. And... isn't the goldenrod blooming extra early this year? 

I'm in denial.

It's not because I dislike autumn. I don't. But because I will miss summer.

It's not even that it's been a good summer. It hasn't! Losing my father cements it as one that I will poignantly remember forever.

Still... I hate to see it go.

I think what I'll miss most is the bounty at my fingertips.
The joyful sight of fruits on the vine. 
The perfume of herbs baking in the sun. 
The many colors of ripe. 
Nature, in all of her white-hot intensity.

But it's not over yet. 

As the sun arcs lower in the sky and night grows longer and cooler, summer vegetables rush to put out their last flush. It's a well known fact that leafy greens, crucifers, and root vegetables taste sweeter when nipped by cold, but I would swear that late-season tomatoes and corn are the best of all. They are only sweeter in memory.

Colors and flavors, the icons of summer, are arranged atop a swath of emulsified tomato milk like notes on a scale. A seasonal keyboard.

Tucked in between are tubes of parmesan pasta. I'll tell you about those next time.

These are covered by a strip of reduced corn juice, thickened by its inherent starch and bursting with flavor. Its form is controlled by freezing, then tempered to a fluid sauce.

Just for this dish, I ignore my tendency towards minimalism, my carefully managed urge to over garnish. I lay it all out. Let nature play all of her notes at once. A crescendo of flowers and herbs.

This is my tribute. An homage. A celebration.
The swan song of summer.

 
  

bread and tomato water

While it's true that fruits and vegetables are often at their best at a certain time and place, I'm not a slave to eating seasonally or locally or [insert buzzword]-ly. There are so many opinions and discussions on the topic, but as far as I'm concerned, quality gets the final word. 
Right now, on my patch of earth, there's a whole lotta quality to be found.

In late August, the local tomatoes clearly demonstrate the tenet of simple preparations. They are of optimum quality and so abundant that they make their way into nearly every meal. A quick and satisfying lunch involves nothing more than thick slices, sprinkled with salt and drizzled with good olive oil. The best part comes at the end— the umami-laden tomato water that collects at the bottom of the bowl. When meals are that casual, etiquette is tossed aside, and the savory juices are noisily slurped directly from the bowl.
 
If there is good bread at hand, a hunk is used to mop up the juices. The yeasty, malty flavor and chewy texture changes the taste entirely— transforms it into something else. If I had been brought up in an Italian house I would compare it to Panzanella, but my bread and tomato association leads to Açorda.

Açorda is a rustic bread soup from Portugal. At its most basic, it's made by pouring a water, garlic, cilantro, and olive oil broth over day-old bread. Typically, the bread used is Broa— a dense, round loaf made with wheat flour, enriched with cornmeal. 

There are gussied-up versions of Açorda; my favorite involves prawns cooked in the broth with tomatoes. For today, I've ignored the prawns and the cooking, but kept the impression of the dish with a hunk of my mother's excellent Broa soaked with seasoned red and yellow tomato water, olive oil, garlic bulbils, green coriander seeds and sprigs.

 

Outside of summer, it would never occur to me to attempt a dish whose sheer simplicity relies entirely on an ingredient used at its pinnacle of flavor. Like it's inspiration, it's a humble dish— the food of peasants. But it's also profoundly good and begs a revision to an old adage:

[wo]man can live [happily] on bread and [tomato]water alone!

 

 

garlic bulbils

When garlic scapes are left to mature on the plant, they form bulbils that are like miniature garlic cloves. These are not true seeds, but they can be planted as such. Although they take two to three seasons to develop heads, I find they're a more reliable way to propagate garlic than starting with individual cloves. For one, [because they're airborne] they don't harbor soil-borne diseases. And two, they produce a truer strain of the parent plant— and isn't perpetuating a species an important reason to save seeds?

Some of these bulbils will go back into the garden once they have hardened off, but many will find their way into the kitchen. I can't resist playing with these tiny, tender bursts of mild garlic flavor.
 

•  Freshly harvested, they add fantastic flavor and texture when simply sprinkled on a dish.
•  Pickled in a vinegary brine with a pinch of sugar, they become succulent.
•  They soften and mellow in an olive oil confit with seeds and spice. Today I added green fennel seeds,  grains of paradise, crushed sumac berries, and fleur de sel.
•  Or, they can be flattened with a rolling pin between sheets of silpat and dehydrated. The flakes will  keep their flavor and crisp texture if sealed in a jar, though I doubt they'll be around for too long.

 

  

 

 

lamb coconut yogurt garlic

Garlic scapes are the flowering seed heads and stems of hard neck garlic varieties. It used to be that farmers removed them to direct the plant's energy into developing the bulb rather than the seeds, and would discard them. At some point, an enterprising farmer thought the mildly-flavored scapes were a marketable novelty, and now they are popular seasonal treats at farmers markets. Incidental crops like these are often a win-win situation.

 

When harvested just as they begin to curl, the stems are tender and mild. By the time that the seeds begin to form, they harden and become tough. At that stage, I like to use them as skewers for grilled meats and vegetables, allowing heat to release their aroma and infuse the food from within.

This dish is loosely based on souvlaki, with deliberate Greek flavors. Instead of the ubiquitous oregano, I used winter savory (Satureja montana), an under-utilized perennial herb that tastes like a blend of thyme, pine, and lemon, to season the lamb and tzatziki.

 

The tzatziki was made with yogurt curds, which readily form when yogurt is gently heated to 170F/76C. The process is identical to making ricotta, but as the yogurt is already acidic, it doesn't require the addition of buttermilk. The curds are folded into coconut milk, along with savory, garlic and cucumber.

The ground lamb is blended with minced aromatics (savory, onion, garlic scapes) and coconut powder, then wrapped in a blanched fig leaf and grilled.

  

   

I know that gif's are sometimes annoying, and even though these shots are overexposed, I thought that it effectively demonstrated the leaf-folding technique.
 Actually, I'm kind of mesmerized by it. I'm alternately disturbed and amused by the furling and unfurling. As it folds up, I think "Silencing of the Lamb", then it pops open, exposing itself like a Cypriot burlesque queen. 

 

 
 

wild carrot

My attitude towards weeds has changed so much in recent years that I hardly recognize myself. 

I used to be a weed warrior, indiscriminately pulling anything that I didn't plant. I realize now that it was a futile attempt at controlling my environment. Me vs. Nature. My new attitude laughs.

The shift came from an understanding of weeds and the roles that they play. I had to step back, ask questions, and look at the big picture. I had to be reminded that Nature is a consummate designer.  

Left on her own, Nature creates self-sustaining communities of plants where nothing is random or arbitrary. Because Nature hates a void, exposed soil quickly covers with plants— the intention, ultimately, is to turn it back into woods and forests. Shallow-rooted annuals move in to prevent erosion and run-off of precious water. The long taproots of perennial plants burrow deep into the soil to collect minerals. Above ground, natural selection plays out as a timeless, tireless game of offense and defense.

To gardeners and farmers, weeds are just a plant in the wrong place. To Nature, it is absolutely the perfect place. Understanding why has allowed me to become much more lax about weeds and we're both the better for it.

 

Wild carrot (Daucus carota), also known as Queen Anne's lace, is the progenitor of the common carrot that we eat. All parts of the wild carrot exhibit pungent carrot aroma, made up of over 100 volatile compounds. The white roots are only tender when very young, turning woody by the time that they flower. The leaves are also tender when young, but must be cooked when mature. 

Wild carrot is native to Europe and Asia, but has become naturalized in the US, where it's categorized in some areas as a beneficial weed (because their umbels attract parasitic wasps), and in others as a noxious weed (because of it's prolific, long-lasting seeds). It also bears a close resemblance to the deadly poison hemlock (Conium), though the carrot aroma is only present in Daucus.  

In the Northeast, wild carrots are ubiquitous plants that favor patches of sandy soil where land meets pavement. When in bloom, from June through August, they form foamy white swathes along the roadside that look like flower surfs. When the tiny white petals drop, the umbels form chartreuse fuzz-covered seeds that have a unique way of propagating themselves. Instead of dropping their seeds like most members of Umbelliferae, the pedicels curl up like a bird's nest, detach from the stem and fall to the ground, where they roll around like tumbleweeds in search of a spot to take root. Quite genius, and [I think] explains their proclivity for roadsides.

For as long as I've lived here, I've routinely battled a tenacious patch of wild carrot that grows along my driveway. Every spring, I would pull them out by the roots from under the lilacs to plant more desirable flowers. Without fail, everything dies in that spot. Everything. Except for wild carrot.

When it comes to gardening, I realize that I can be as stubborn as the weeds that I've fought so hard to eradicate. It's that control thing. But this year, I let Nature have her way. And, you know something... I'm glad that I did... that spot has never looked better.